Adrian Ludwig Richter
German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
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Adrian Ludwig Richter Pool in the Riesengebirge oil painting


Pool in the Riesengebirge
1839 Oil on canvas, 63 x 88 cm
Painting ID::  44011 		Adrian Ludwig Richter
Pool in the Riesengebirge
1839 Oil on canvas, 63 x 88 cm
   
   
     
Adrian Ludwig Richter Genoveva in the Forest Seclusion oil painting


Genoveva in the Forest Seclusion
1841 Oil on canvas, 117 x 101 cm
Painting ID::  44014 		Adrian Ludwig Richter
Genoveva in the Forest Seclusion
1841 Oil on canvas, 117 x 101 cm
   
   
     
Adrian Ludwig Richter The Watzman oil painting


The Watzman
c. 1824 Oil on canvas, 120 x 93 cm
Painting ID::  44023 		Adrian Ludwig Richter
The Watzman
c. 1824 Oil on canvas, 120 x 93 cm
   
   
     
Adrian Ludwig Richter St. Anna's church in Krupka, oil painting


St. Anna's church in Krupka,
St. Anna's church in Krupka, Czech Republic. Oil painting.
Painting ID::  72072 		Adrian Ludwig Richter
St. Anna's church in Krupka,
St. Anna's church in Krupka, Czech Republic. Oil painting.
   
   
     
Adrian Ludwig Richter St. Anna s church in Krupka oil painting


St. Anna s church in Krupka
Date 1836(1836) Medium Öl auf Lindenholz Dimensions 55,5 x 69 cm cyf
Painting ID::  73588 		Adrian Ludwig Richter
St. Anna s church in Krupka
Date 1836(1836) Medium Öl auf Lindenholz Dimensions 55,5 x 69 cm cyf
   
   
     
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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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